Monday, March 10, 2008
I have a feeling that if I had read Travels with Charley back in high school instead of The Grapes of Wrath or even Of Mice and Men, I would have actually liked Steinbeck rather than merely appreciated him.
Now part of my Steinbeck indifference was definitely my teenage attitude. At 15 there were other things I'd much rather have been doing than reading novels about the great depression. Also, I had that "what does this have to do with me" attitude I saw so frequently while trying to teach my college freshmen literature from the Vietnam War.
But the other half of the problem was that I was exposed to those two books by a teacher who taught these novels as The Greatest Literary Masterpieces Ever. Great Literary Masterpieces have themes and symbols and, like vegetables, are consumed for (intellectual) nutrition and not for enjoyment. The image of Steinbeck that I took away from that class one of a Very Important American Author, sitting behind a grand oak desk, pondering which Important Theme to tackle next.
Reading Travels with Charley showed me that my imagination was grossly mistaken. In place of the grand desk was a pickup truck and trailer and a poodle named Charley. Steinbeck ponders road maps instead of Important Themes and I was pleased to note that while he has me licked in literary masterpieces, my directional sense is far superior to his. Also, Steinbeck is funny. Really funny. And he uses his wit and dry humor to provide a commentary on American life that is still accurate today.
I have a new appreciation for Steinbeck now. He's still an Important American Author, but one that shares philosophy with his poodle in the same way that I sometimes serenade my cats with Meatloaf songs. Okay, maybe not the same thing, but the point is, the memoir humanizes Steinbeck and makes him assessable. It's a shame I didn't read this sooner.